ぽこピーのゆめうつつ · Society & Culture
#80 TwitterとYouTubeのコメントが違う件
Ponpoko (ポンポコ) and Peanuts-kun (ピーナッツくん) of Poko-P no Yume Utsutsu (ぽこピーのゆめうつつ) were stunned to discover how differently their followers react to the same post on Twitter versus YouTube Community — a lesson learned mid-tour in Ehime Prefecture. The episode also announces Poko-P Planetaria (ぽこピープラネタリア), a five-day takeover of Konica Minolta Planetarium in Yurakucho, Tokyo, and covers Peanuts-kun's appearance at the K-Arena Yokohama festival the day before the tour stop.
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What this episode answers
Why do Twitter and YouTube comment sections feel so different in tone?
Twitter feels like a direct reply to the person who posted, so warm, welcoming comments tend to gather there, while YouTube Community posts feel addressed to the community at large, prompting fact-checking and corrections — Ponpoko experienced this firsthand when a photo of Mikan no Match (みかんのマッチ), a citrus soda, drew supportive replies on Twitter but "it's sold nationwide" and "Daiso carries it too" comments on YouTube.
What is Poko-P Planetaria and when does it take place?
Poko-P Planetaria is a screening event that takes over Konica Minolta Planetarium in Yurakucho, Tokyo for five days starting November 19, with ten showings per day; the visual work was produced by Tanaka Kensetsu (田中建設), a simultaneous screening in VRChat is also planned, and tickets went on sale October 17.
What local specialty did Ponpoko enjoy most in Ehime?
Nabeyaki udon — Ponpoko loved its cafeteria-style presentation served in an aluminium pot and its soft texture, calling it "the most exciting part of Ehime."
How did Peanuts-kun end up performing at Touya-kun's festival?
Peanuts-kun was hesitant because the festival fell the day after a Kairan-ban (回覧版) tour stop, but Touya-kun (トウヤくん) personally insisted he was essential to the show, so Peanuts-kun agreed; he performed at K-Arena Yokohama alongside Kuzuha (葛葉), Hoshimachi Suisei (星街すいせい), and Momoya-kun (桃也くん), debuting a remix of "Mirai Next Meshi" (ミライネクストメシ) with new lyrics written over a fresh beat provided by Yanagawa Miyuki (柳川みゆき), then flew straight to Ehime the next morning.
Which Twitter timeline does Peanuts-kun prefer — recommended or following?
Peanuts-kun recently switched to the Following timeline and says it became "much more comfortable" because only accounts he chose appear, giving him confidence in his own taste; Ponpoko prefers the Recommended timeline, so the two are split on this.
Noticing the SNS temperature gap through a mikan match post while on the Ehime tour
Ponpoko and Peanuts-kun are midway through Kairan-ban (回覧版), a nationwide live-event tour, and recorded this episode late on a Monday night from Ehime Prefecture. Ponpoko kicked things off by praising Ehime's nabeyaki udon — served bubbling in an aluminium pot in a style that reminded her of school-lunch canteens — as her absolute highlight of the trip. The soft noodle texture sealed the deal.
The main topic, however, was a jarring revelation about social media. While in Ehime, Ponpoko photographed Mikan no Match, a local citrus carbonated drink, and posted it to Twitter. The replies flooded in: "Welcome to Ehime!" and "Enjoy all things mikan!" — warm, welcoming, personal. She then posted the same content to the YouTube Community tab. The response there was entirely different: "They sell this in Shiga too," "It's a national product — not that I'll mention that," and "You can get it at Daiso." Ponpoko was genuinely shocked. "I had been calibrating audience temperature using Twitter," she said, "and I was completely wrong."
Peanuts-kun offered an analysis: replying on Twitter feels like speaking directly to the person who posted, so commenters instinctively reach for warmth and encouragement. A YouTube Community post, by contrast, feels like addressing an audience of strangers sitting alongside you — the natural impulse shifts toward sharing information or offering corrections. Ponpoko laughed it off: "I didn't know Twitter was spoiling me. Please keep spoiling me."
The two also touched on Twitter's timeline options. Peanuts-kun has switched from the Recommended feed to the Following feed and finds it far more comfortable — only accounts he deliberately chose appear, which he says lets him trust his own taste. Ponpoko sticks with Recommended, leaving the pair at an impasse.
K-Arena Yokohama, Cock Fes, and the Mirai Next Meshi remix
The day before arriving in Ehime, Peanuts-kun performed at Cock Fes (コックフェス), a festival at K-Arena Yokohama organised by Touya-kun (トウヤくん). The lineup alongside him included Kuzuha (葛葉), Hoshimachi Suisei (星街すいせい), and Momoya-kun (桃也くん) — Peanuts-kun started to call the four of them a "heavenly quartet" before immediately walking the comment back.
He had almost declined because the date fell the day after a Kairan-ban tour show. Touya-kun, however, pushed hard, telling him the event simply would not work without him, and that sincerity was enough to change his mind. On stage, Peanuts-kun performed a remix of his collaborative track "Mirai Next Meshi" (ミライネクストメシ) with Yanagawa Miyuki (柳川みゆき). Yanagawa had prepared a brand-new beat for the occasion, so Peanuts-kun rewrote the lyrics before stepping out. The morning after the festival he flew straight to Ehime and performed the Kairan-ban show the same day.
Announcement: Poko-P Planetaria (from November 19)
The episode's biggest news is Poko-P Planetaria (ぽこピープラネタリア): Konica Minolta Planetarium in Yurakucho, Tokyo will be fully taken over for five days beginning November 19, with ten screenings per day. The visual work was produced by Tanaka Kensetsu (田中建設), and a simultaneous screening inside VRChat is also planned. Tickets went on sale October 17, the same day the episode dropped. Ponpoko revealed she has been looking for a route into Konica Minolta for several years, and described the full use of a planetarium as something only a VTuber could pull off. Collaboration cafes are currently running in Tokyo, Osaka, Nagoya, Hiroshima, and Kobe.
IKEA, takkamari, and Kamunii's heroic chocolate eating
Ponpoko visited IKEA's Tsurumi store in Osaka for the first time in a while with a friend, noting that the one-way floor layout is essentially the same psychological trick as television shopping. As usual, she left with only small items. Peanuts-kun agreed that he always means to upgrade his room but never quite gets there, and both admitted their apartments will probably never be fit to show another person.
Afterward, a friend cooked takkamari (たっかんまり) — Korean-style whole-chicken hot pot — at home, which left Ponpoko genuinely amazed that someone could manage that dish in a domestic kitchen. She also shared a story about Kamunii (カムニー) eating an astonishing quantity of chocolate-covered snacks she had brought as a gift.
Takeaways
- Twitter replies feel personal and direct, drawing warm encouragement, while YouTube Community posts feel communal, attracting fact-checks and corrections — the same mikan soda photo produced completely opposite reactions on the two platforms.
- Poko-P Planetaria takes over Konica Minolta Planetarium in Yurakucho for five days from November 19, offering ten screenings a day with a VRChat simulcast; tickets went on sale October 17.
- Peanuts-kun overcame scheduling concerns to perform a newly rewritten Mirai Next Meshi remix at K-Arena Yokohama, then flew directly to Ehime for the Kairan-ban tour the very next day.
This article is edited from a machine transcript of the first 30 minutes of the episode. It is not an official summary — please listen to the episode itself.