# 2026年10月20日(火) ナイツ ザ・ラジオショー(パートナー山﨑ケイ)

- Show: ナイツ ザ・ラジオショー【最新回のみ】
- Published: 2026-10-21
- Canonical: https://podc.club/en/episode/1571410795_04cbec938131.html
- Audio: https://pdst.fm/e/traffic.omny.fm/d/clips/67122501-9b17-4d77-84bd-a93d00dc791e/5dc00738-7328-4672-a66f-ac390052cc4b/8664900f-c9f4-4828-a3ee-b4e9008268a8/audio.mp3?utm_source=Podcast&in_playlist=12586d3d-2dfd-4ae2-a8cc-b2a00075a670
- Source: Edited from a machine transcript of the first 30 minutes of the episode. Not an official summary.

Yamazaki Kei (山崎ケイ) opened Tuesday's show recounting how a rainy solo escape from a four-day Hakone trip turned into two bus rejections, a Suica-card error, and a missed shinkansen before she finally sprinted to the studio. The back half covered three new autumn dramas, a Toyokan visit that surfaced a memorably original young duo, and a preview of next week's guest All Kyojin (オール巨人), whose enthusiasm for AI-generated music touched off a broader conversation about the unease surrounding AI content.

## What this episode answers

### Why was Yamazaki Kei late, and what exactly happened from start to finish?

Travelling back from Hakone alone in heavy rain, Yamazaki Kei was turned away by two buses — the first packed with foreign tourists and large suitcases, the second simply telling her to wait — and found every taxi in the area occupied; a third bus from a different company finally got her to Odawara Station four minutes before her train, but a Suica card-number change after a recent phone upgrade triggered a gate error and she missed the shinkansen by one minute. She calmly shopped for souvenirs and watched 'Bivan' (ビバン) until the next departure, then ran from Tokyo Station to the studio.

### What is the new drama 'Lost 10' about, and how did the two of them rate it?

Oguri Shun (小栗旬) plays an insurance investigator tracking a suspicious case in which a man who died in a mountain accident had taken out a large policy just before his death, while Yokohama Ryusei (横浜流星) plays the police officer he clashes with. Both hosts rated it highly, saying 'we thought it was just a survival story and then it turned out to be a mystery — we have to know what happens next,' and they shared the theory that Oguri's character has a former-police background based on hints in the script.

### What were their thoughts after watching the King of Conte final?

Both had watched the final but not the wildcard round yet; Yamazaki Kei said she laughed at Geradon (ジェラードン), a group one year her senior whom she knows personally, and noted that an increasing number of finalists are people she doesn't recognise at all, making her feel her age.

### What routines did young acts Kinbura and paper-cut artist Yanagiya Shotaro perform at Toyokan?

Kinbura (キンブラ), a brother duo of King and Kyupii (キングとキューピー), spent roughly seven minutes just repeating 'Kyupii' without starting their routine, revealing they were brothers only in the final minute — a structure Hanawa (塙) called strikingly original since manzai pairs normally announce the sibling angle upfront. Paper-cut artist Yanagiya Shotaro (柳谷翔太郎) responded to an audience member's shout of 'a cat!' by saying 'You have one at home — you don't need me to cut one,' essentially negating the premise of his own art for a big laugh.

### What was the conversation about All Kyojin and AI music?

During a roughly three-hour Weekly Playboy (週刊プレイボーイ) serialised interview Hanawa conducted in Osaka, about one hour was devoted to AI-generated music; All Kyojin is so into it that he plays AI songs and sings along by himself, and the hosts expect that topic to take centre stage when he appears next week.

## Article

## Rain, Rejected Buses, and a Missed Shinkansen — Yamazaki Kei Arrives Late After Hakone Travel Chaos

Yamazaki Kei had been on a four-day Hakone trip with her daughter, the Egami family, and neighbours, but had to head back to Tokyo alone for Tuesday's Radio Show. Hakone was being lashed by heavy rain on the day of departure. At the bus stop outside the inn, the first bus was already full — foreign tourists with oversized suitcases filled the aisle, leaving no room despite appearances. The inn owner knocked on the door and argued that passengers could squeeze in, but the driver refused. A second bus also told her to wait for the next one. She checked every taxi app she had; every car in the area was already taken. A third bus from a different company happened to be nearly empty, and she boarded it, pulling into Odawara Station just four minutes before her intended shinkansen.

Then came a second setback. She had recently replaced her smartphone, which changed the Suica card number linked to her Smart EX account. She bought her ticket on the bus, but the ticket gate rejected it with an error beep. She missed the train by one minute. With time on her hands before the next departure, she browsed for souvenirs and watched 'Bivan' (ビバン) at the station. 'Getting agitated wasn't going to make the shinkansen come any faster,' she told co-host Hanawa (塙). She ran from Tokyo Station to the studio and arrived late.

Back in Hakone, her daughter and the Egami group were also stranded; a taxi to the Hakone Open-Air Museum had a two-hour wait, so they eventually gave up and returned to Tokyo to spend the day there.

## Three New Autumn Dramas Reviewed

**'Lost 10'** (starring Oguri Shun / 小栗旬 and Yokohama Ryusei / 横浜流星) is a mystery built around a mountain-climbing accident. Oguri plays an insurance investigator — an unusual role — tracking a suspicious case in which a man who died in the mountains had taken out a large policy just before his death. He works his way close to the bereaved wife, played by Saito Yuki (斉藤由紀), while clashing with a police officer played by Yokohama. Both hosts rated it highly: 'We thought it was just a survival story and then it turned out to be a mystery — we have to know what happens next.' They also floated the theory that Oguri's character has a former-police background based on hints in the script.

**The Japanese remake of the Korean drama 'Extraordinary Attorney Woo' (ウ・ヨンウ弁護士は天才肌)** had just premiered and both hosts were impressed. The lead is an autistic genius lawyer who memorised every law book in childhood and can instantly spot the angle no one else sees, dismantling charges and reframing them under a different statute with striking precision.

**'Kyumei Byoto 24-Ji' (救命病棟24時)** featured comedian Diane's Yusuke as a guest patient celebrating the passage of an 8 mm ureteral stone. The main plot followed a meticulous chef (Yamanaka Takashi / 山中崇) admitted unconscious after a fall, with a high-performing but detached new doctor assigned to his case learning what it means to value a single life. Hanawa, a self-described eight-year drama enthusiast, spoke at length about the subplot in which a senior doctor refuses to let the rookie quit after just 30 minutes.

## King of Conte — More and More Unknown Faces in the Final

Both hosts had watched the King of Conte (キング・オブ・コント) final, though not the wildcard round yet. Yamazaki Kei said she laughed at Geradon (ジェラードン), a group just one year her senior whom she knows personally. She also noted that more and more finalists are names she doesn't recognise at all. 'Back in the day I at least knew who everyone was. I guess I'm getting old.'

## Young Acts at Toyokan — 'Reveal the Brothers Last'

After a Fukuoka job, Yamazaki Kei returned to Tokyo early and arrived at Toyokan (東洋館) more than two hours before her own slot, watching young acts as an ordinary audience member.

Brother duo Kinbura (キンブラ) — King and Kyupii (キングとキューピー) — walked onstage and spent roughly seven minutes doing nothing but repeating 'Kyupii,' riding a chant that built from the audience without ever starting a proper routine. Only in the final minute did they reveal: 'By the way, we're brothers.' The audience's surprised reaction — 'You don't look alike!' — was the punchline. Hanawa called it genuinely fresh: 'In manzai you normally announce the sibling angle at the very top. Saving it for last is a new idea.'

Paper-cut artist Yanagiya Shotaro (柳谷翔太郎) skipped almost all of the usual warm-up banter in which he solicits subjects. When someone called out 'a cat!', he replied, 'You have a cat at home? Then you already have one — you don't need me to cut it.' Negating the very premise of his own art got a big laugh.

## Next Week: All Kyojin on AI Music and AI-Generated Content

Next week's guest is All Kyojin (オール巨人). When Hanawa travelled to Osaka for a roughly three-hour Weekly Playboy (週刊プレイボーイ) serialised interview, about one hour of it was devoted to AI-generated music. All Kyojin is so enthusiastic that he streams AI songs and sings along on his own, and the hosts noted that AI-produced tracks are now appearing with growing frequency.

The conversation broadened to AI content in general. Yamazaki Kei mentioned seeing an Instagram post from a housewife who feeds story and character ideas into AI, has the AI illustrate the book, and earns a stated monthly income selling the result — and said it left her feeling unsettled. Hanawa added that Tsuruta Koji (鶴太郎) posted oil paintings on Instagram that took him dozens of hours to complete, only for commenters to write 'this is obviously AI.' Both agreed that the inability to distinguish real from generated work is becoming a genuine problem, and called for the 'AI twist' to stop being used as a punchline.

## Takeaways

- Yamazaki Kei's solo return from Hakone descended into transport chaos — two bus rejections and a Suica-card error causing a one-minute miss of the shinkansen — before she ran from Tokyo Station to the studio and arrived late.
- New autumn dramas 'Lost 10' and the Japanese remake of 'Extraordinary Attorney Woo' earned high marks, while a Toyokan visit revealed a brother duo whose gimmick of saving the sibling reveal for the very end struck Hanawa as a genuinely original structure.
- Next week's guest All Kyojin's deep enthusiasm for AI-generated music opened a wider conversation about unease with AI content, from AI-illustrated picture books sold for income to human artworks being dismissed as AI online.